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Bob Larkin – artist

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Bob Larkin (born July 10, 1949) is an American artist primarily known for his painted covers for Marvel Comics in the 1970s and early 1980s. His horror-themed work for Marvel included Planet of the Apes, Satana and The Tomb of Dracula.

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Besides his artwork for Marvel, Larkin has painted covers for Warren Publishing’s VampirellaCurtis’ magazine Monsters of the Movies and a host of paperback novels.

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Larkin has also created images for notable film posters such as Shock Waves (1977), Kingdom of the Spiders (1977), Piranha (1978) and its sequel, The Visitor (1979), Humanoids from the Deep (1980) and Just Before Dawn (1981).

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Bob Larkin Just Before Dawn Movie Poster Detail

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Wikipedia | We are grateful to the Bob Larkin Blog for some of these images.

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Mosquitoid

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Mosquitoid

Mosquitoid – original title: The Mosquito Alien – Nights of “Terror” – is a forthcoming Brazilian sci-fi horror film written and directed by André and Marcos de Castro.

The project is currently seeking further funding via IndieGoGo

Official plot synopsis:

The film tells the story of a giant mosquito from Planet Endfly, who finds a crack in a black hole in space and comes to Planet Earth. When he comes to Ribeirão Preto, a city that is experiencing an epidemic of the same mosquito, because of the excess of still water, he promotes chaos. His bite is deadly, it’s not like the normal mosquito. His giant stinger kills the person’s immediately, however, its venom takes effect. The dead turn into zombie-mosquitos and attack the city’s population. In the story there are several characters. The mosquito goes through numerous funny situations because of his personalities. Mad scientist, drag queen in the adaptation process, frenzy in sorority, clumsy soldier, sensual colonel, two crazy hippies, space warrior, among others. All this washed down with very black humour, blood and some sensuality…

Trailer (NSFW):


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Km 31: Part II

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Km 31: Part II – original title: Km. 31 Sin Retornois a 2015 Mexican horror film directed by Rigoberto Castañeda and a sequel to the 2006 film Km. 31. It stars Carlos Aragon, Adrià Collado, Odin Ayala and Ileana Fox.

Press release:

The film stars Carlos Aragon as Ugalde, the detective who led the investigation into a series of mysterious deaths on a benighted stretch of road surrounded by woodland. Aragon back on the beat, after being disgraced and even incarcerated for failing to solve the original case, investigating a series of child abductions, KM 31: Part II will also feature Ileana Fox, who awoke from a coma at the end of the original, possessed by an evil spirit. Here, she will embody La Llorona, a mother in Mexican myths who lost her own child.

Buy Km. 31 on DVD via Amazon.co.uk | Amazon.com

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Houseboat Horror

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‘A new wave of blood gushing suspense’

Houseboat Horror is a 1989 Australian slasher film released to video. It was directed by Kendal Flanagan and Ollie Martin. The latter produced and wrote the screenplay.

Cast:

Alan Dale, Christine Jeston, Craig Alexander, Des McKenna, Gavin Wood, John Michael Howson, Louise Siversen, Peppie D’Or, Stephen Whittaker, Julie Thompson, Mark Muggeridge, Wilkie Collins, David Blackman, Greg Latts, Ian Campbell, Steve Hutchinson, Christopher Young, Don Bridges, Catherine Hill, Sue Hancock, Ruth Yaffe, Lewis Porter, Alisa Meadows, Jason Archer, Sandra ‘Scarlett’ Wilson, Ray Boseley, Ollie Martin, Zlatko Kasumovic.

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Plot teaser:

A film crew composed of media types and party animals from the city embark on a road trip to record music videos of a rock band at rural Lake Infinity.

A hitchhiker is shocked by the grisly discovery of her friend’s dead body. Alone and forced to run through dense scrubland to escape an unseen assailant, she fails to evade the killer and is stabbed multiple times.

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The visiting rock band with film crew, stop for fuel at a petrol station and is given an uneasy reception by locals who seem wary or suspicious of outsiders. They leave to meet the rest of the crew at a river where houseboats have been hired for transport and accommodation…

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Reviews:

“If this flick has anything going for it then it’s the gore. Don’t get me wrong, the fx are cheap as chips but the film delivers in the grue department: heads are split in half with a machete, throats are slit and – surely a first – a woman is killed with a horseshoe! Also, the film is book ended by a couple of relatively effective scenes (a hitchhiker is chased down near the beginning and the killer goes postal during the, er, climax). It’s topped off with some suitably cheesy, and not very effective twists… Justin Kerswell, Hysteria Lives

“This movie really does tick all the miniscule budget horror boxes.  Shot on video ?…  Check.  Chintzy synth score ?…  Check.  Actresses not nearly hot enough for their sexpot roles?…  Check.  Animal from Hey Hey It’s Saturday fisting a bongo ?…  You better believe it.” Pete Laurie, Bored and Dangerous

“The plot is completely unoriginal, the resident Psycho doesn’t have any screen presence, and the pace is so unrelentingly sombre that you are left wondering when the end credits might finally come up to put the movie out of it’s misery. For those that like a high body count and cheesy gore effects, dive in there’s something in there for you.” Scary Minds

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Wikipedia | IMDb

 


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Body Melt

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Body Melt is a satirical 1992 (released 1993) Australian horror film directed by Philip Brophy from a screenplay co-written with Rod Bishop.

Plot teaser:

The residents of the small town of Pebbles Court are the unknowing test subjects for a new variety of “Vimuville” dietary supplement pills that arrive for free in their mailboxes. The pills are designed to produce the ultimate healthy human, but have unexpected side effects including hallucinations and mutations. Despite the attempts made to warn the townsfolk from a previous test subject, who is now undergoing rapid cellular decay, he arrives too late, and crashes his car and is killed by tentacles growing out of his throat.

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The pills are consumed by the residents producing liquefying flesh, elongated tongues, exploding stomachs, exploding penises, imploding heads, monstrous births, tentacles growing out of the face, living mucus, sentient placentas, and other gruesome mutations. Ultimately more and more of the residents of the Pebbles Court mutate or die horrific deaths, until almost every character has been dispatched…

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Reviews:

  • Video review wrote “With over 150 ways to melt your body, it’s one of the most innovative and versatile horror films ever. Guaranteed to make you squirm.”
  • Samhain wrote “Unique and individual. A wicked and gruesome satire on the clean-living lifestyle of modern Australia as seen across the globe in various TV soaps.”
  • Screen International described the film “As satirical as it is sick-making. A cult hit.”
  • Star Burst wrote “Packs more mucous, phlegm, puke, snot, slime & spit than you’d ever think possible.”
  • Time Out wrote “Despite its emetic preoccupation with exploding stomach’s & bodily fluids there is also a liberal injection of black humour.”
  • Fangoria wrote “A slime-soaked all-out shocker!”
  • Face described the film as “A dumb/smart satire on health faclslm. The kind of movie they just don’t make anymore.”

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Body-Melt

Cast:

  • Gerard Kennedy as Det. Sam Phillips
  • Andrew Daddo as Johnno
  • Ian Smith as Dr. Carrera
  • Regina Gaigalas as Shaan
  • Vincent Gil as Pud
  • Neil Foley as Bab
  • Anthea Davis as Slab
  • Matthew Newton as Bronto
  • Lesley Baker as Mack
  • Amy Grove-Rogers as Old Woman
  • Adrian Wright as Thompson Noble
  • Jillian Murray as Angelica Noble
  • Ben Geurens as Brandon Noble
  • Amanda Douge as Elloise Noble
  • Brett Climo as Brian Rand
  • Lisa McCune as Cheryl Rand
  • Nick Polites as Sal Ciccone
  • Maurie Annese as Gino Argento
  • William McInnes as Paul Matthews
  • Suzi Dougherty as Kate
  • Bill Young as Willie

Wikipedia | IMDb


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Vamp

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‘She’ll love you to death.’

Vamp is a 1986 American comedy horror film directed by Richard Wenk (Dracula Bites the Big Apple; Wishcraft), from a screenplay co-written with Donald P. Borchers (producer of Children of the Corn; Leprechaun 2; Voodoo).

Cast: 

Chris Makepeace, Sandy Baron, Robert Rusler, Dedee Pfeiffer, Gedde Watanabe, Grace Jones, Billy Drago.

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Plot teaser:

Two college students, Keith and AJ want to hire a stripper to buy their way into a campus fraternity. They borrow a Cadillac from lonely rich Oriental student Duncan, who insists on coming with them to scope out strip clubs in a nearby city. The three boys find themselves at a club in a shady party of town and, after being impressed by an surreally artistic stripper Queen Katrina, AJ visits her dressing room to convince her to come strip for their college party. Katrina seduces AJ, then pins him down, killing him with a bite to the neck…

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Reviews:

This is a vapid American Werewolf-influenced frat humour-filled time-waster that did well on VHS in the mid-1980s. Grace Jones featured extensively in the sales imagery but her role is minimal. The overt green/blue/red lighting was stylish when Dario Argento defined it well in Inferno (1980) but six years later it was passé and now makes Vamp seem very dated. Making the combo of vampires and strippers dull would seen to be impossible but, alas, Wenk and his cohorts manage it.

Adrian J Smith, Horrorpedia

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“There are some funny lines, and the relationship between the human kid and his best pal the vampire is handled with a lot of original twists. But the movie finally descends, as so many films do these days, to one of those assembly-line endings made up of fights and chases.” Roger Ebert

” … a fun vampire movie with that undeniable 80’s movie feel. It plays with that delicate balance between comedy and horror. Not every movie is successful in this merging of genres. Vampire in Brooklyn (1995) for example failed horribly at it. The comedy in Vamp falls a little on the silly side; it has the kind of humor you’d find in films like Revenge of the Nerds (1984) or Porky’s (1982).” The Film Connossieur

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“Director Richard Wenk slathers the film in 80’s purple and green lighting through almost the entire run time. I would say this looks like crap if I saw it in a modern movie but this is an 80’s movie and for whatever reason it seems to work. Wenk seems to know how to set up some interesting ideas and visuals and they do mostly work for the film.” Rogue’s Hollow

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Choice dialogue:

“They’re boring creeps. They don’t call them walking dead for nothing.”

Wikipedia | IMDb


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Midnight Garage

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Midnight Garage – original title: 三更车库 – is a 2015 Chinese horror film written and directed by Zhou Yaowu (Harpoon). It stars Alex Fong, Yoon So-yi and Gordon Lam (Tales from the Dark 2).

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Plot synopsis:

Luo Kun (Alex Fong) becomes responsible for night duty security at a Hong Kong underground garage in downtown Kowloon, shortly after the death of a colleague. It transpires that a bizarre curse, known as “mortuary parking”, has swallowed up dozens of lives…

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Cast:

  • Alex Fong
  • Yoon So-yi
  • Gordon Lam
  • Tse Kwan-ho
  • Bai Ru
  • Cho Sung-bin
  • Jiang Zhongwei

Wikipedia

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Bite

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‘This may sting a little’

Bite is a 2015 Canadian horror film directed by Chad Archibald (KillThe Drownsman; Ejecta) from a screenplay written by Jayme Laforest. It was produced by Black Fawn Films in association with Breakthrough Entertainment.

Cast:

John Migliore, Derrek Peels, Deborah Jayne Reilly Smith, Caroline Palmer, John Cross, Christopher James, Alex MacPherson, Kai Csiki, Sheelagh Daly, MarieBeth Young, Tianna Nori, Elma Begovic, Ty Phoenix, Annette Wozniak, Jordan Gray.

The film is being shown at the Fantasia Festival on 29 July 2015 and Film4 Frightfest on 31 August 2015.

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Plot teaser:

While on her bachelorette party getaway, Casey, the bride to be, gets a seemingly harmless bite from an unknown insect. After returning home with cold feet, Casey tries to call off her wedding but before she’s able to, she starts exhibiting insect like traits. Between her physical transformation and her wedding anxiety, Casey succumbs to her new instincts and begins creating a hive that not only houses her translucent eggs, but feeds on the flesh of others. As her transformation becomes complete, Casey discovers that everything can change with a single bite…

IMDb | Official site


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Love Me Deadly

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‘A hunger from beyond the grave!’

Love Me Deadly is a 1972 horror film directed by Jaques Lacrete from a screenplay co-written with producer Buck Rogers, based on a story by Robert Cleere and Roger Wall. It stars Mary Charlotte Wilcox (Beast of the Yellow Night; Psychic Killer), Lyle Waggoner (Murder Weapon; Dream a Little Evil), Christopher Stone (The Howling; Cujo), Timothy Scott (Monster Squad TV series) and Michael Pardue.

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Plot teaser:

Attractive Lindsay Finch (Mary Charlotte Wilcox) has a habit of dressing in mourning and attending wakes for men she never knew. When everyone else leaves, she kneels before the coffins and kisses the corpses passionately. However, at the many parties she holds at her house, she shows no interest in any of the (living) men. She is also fixated with her deceased father (Michael Pardue), frequently daydreaming about her childhood with him and putting her hair in pigtails to visit his grave.

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Her friend Wade Farrow (Christopher Stone) is romantically interested in her, but she rejects his affections. Meanwhile, mortician Fred McSweeney (Timothy Scott) notices Lindsay’s attendance at the wakes and, although she won’t admit to her secret passion, he recognises her as a kindred spirit.

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McSweeney has a Satanic coven that meets after hours in the mortuary for necrophilic orgies with the latest cadavers…

Reviews:

” … mostly a camp-fest directed by someone who obviously had little knowledge of the horror genre and no film experience whatsoever. However, this doesn’t mean that it’s not a watchable time capsule curio, and the backdrop of early 1970s Southern California is just as interesting as the actors themselves. The sight of statuesque Mary Wilcox kissing actors pretending to be corpses while not trying to crack a welcomed smile is amusing, and this is about as intense as her necrophilic activities get.” George R. Reis, DVD Drive-In

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“While a good part of the movie is devoted to a pretty standard, sexless romance between funeral-haunting rich-bitch heroine Lindsay (Mary Wilcox) and humpy-yet-bland suitor Alex (Waggoner, who must still be cursing his agents to this day for this role), it’s punctuated with enough nastiness (attempted date-rape, corpse orgies, aforementioned crocheted ensembles) to keep you suitably off-balance.” Camp Blood

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“Sleaze fan-addicts will likely be disappointed in this exercise of sex with the living and the dead. The storyline has so much going for it, but the director wastes far too many opportunities for me to recommend this to anyone other than die hard 70’s horror film completists.” Cool Ass Cinema

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“As in Psycho–the film Love Me Deadly wants so desperately to match in terms of “shock value”–director Lacerte offers a full psycho-pathological post-mortem toward the end of the story. But who cares, really?  Hitchcock’s decision to spend the last ten minutes of Psycho “diagnosing” Norman is the film’s one stumble, and the device is even less convincing here.” Ludic Despair

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Wikipedia | IMDb | Image credits: Cool Ass Cinema | Ad mats courtesy of Raleigh Bronkowski via the Psychotronic Movies Facebook page

 


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Death House aka Zombie Death House

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‘No one gets out… alive’

Death House – later retitled Zombie Death House – is a 1987 American crime-horror film directed by actor John Saxon (Queen of BloodCannibal ApocalypseA Nightmare on Elm Street) from a screenplay by William Selby, David S. Freeman and Kate Wittcomb. It stars Dennis Cole, Anthony Franciosa (Tenebrae), Dino Paskas and John Saxon himself. The end credits are accompanied by punk rock band the Dead Kennedys song ‘Chemical Warfare’.

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Plot teaser:

Derek Keelor (Dennis Cole) takes a job as a chauffeur for mob boss Vic Moretti (Anthony Franciosa). Derek gets it on with Moretti’s girlfriend, so the crime lord takes revenge by drowning his girlfriend in the bath and framing her lover for the crime. Derek is sentenced to death row. Meanwhile, a renegade CIA agent (John Saxon) is using the penitentiary inmates as unwilling test subjects for his new experimental drug with the intention of creating an un-killable army…

Buy on DVD from Amazon.com | Amazon.co.uk

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Reviews:

“Mob shenanigans, poorly shot/edited/choreographed car chases, a bunch of prisoners being hardasses, an imprisoned mobster bullying cons and guards alike, our hero fucking a girl and then being framed for her murder… basically every B movie plot but zombies.” Horror Movie a Day

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“The whole idea of crazed, rotting inmates vs. non-crazed mates vs. soldiers never comes near the greatness of the images that conjure in your head while watching, and as the last reel commences you’ve found its been a “watchable” waste of time and concept. Although Death House is quite fleet of foot and manages to cover its meager twists well while Saxon’s direction doesn’t particularly stand out from the army of other bargain video wonders from the era.” Basement of Ghoulish Decadence

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Zombie Death House is confusing, very choppy, and covered with loose ends. However, it is a fun  movie because it is classic 80’s cheese. All but one female is blonde with big hair, the dialogue is corny, and there are occasions of unrelated placement of boobies.” Lee Roberts, Best Horror Movies

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“Along with any good in this movie there is an equal amount of the absurd. There is so much voice over in this film from so many sources that it’s laughable, and it starts at the very beginning. Add to that the fact that we are thrown into the first montage before the opening credits have finished cycling and you are left dumbfounded before you even know what the film is about.” Horror’s Not Dead

“Sure the film is slow to develop the pedestrian plight of the falsely imprisoned hero (Dennis Cole), and there’s nothing much to recommend it to serious cinema fans, but this flick is great viewing for a B movie night…” Glenn Kay, Zombie Movies: The Ultimate Guide

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Choice dialogue:

“Don’t shoot! Or the kid gets it”

IMDb | Related: Prison


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Necropolis

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‘Where they love New York to death.’

Necropolis – aka Necropolis: City of the Dead – is a 1986 supernatural American horror film written and directed by Bruce Hickey. It stars LeeAnne Baker (Breeders; Mutant Hunt; Psychos in Love), Michael Conte, Jacquie Fitz, George Anthony-Rayza, Andrew Bausili, Vicki Bell, Norris Culf, Anthony Giola, Nadine Hartstein, Jett Julian, Adriane Lee, Gy Milano, Jacqueline Pearson, William K. Reed, Paul Ruben. Special effects were provided by Ed French.

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Plot teaser:

Eva, a “Satanic Witch” from New Amsterdam in 1686, comes to modern New York City to revive her cult members by sucking the life force from her victims. She has three sets of breasts that ooze ectoplasm, a substance her zombie followers to suckle on.

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Reviews:

“The director, Bruce Hickey, filmed this while taking a break from directing gay porn (probably why this movie is so awesome). This is for lovers of punk, sleaze, kitsch, cheese, cults, all the good stuff. The dialogue is hilarious, especially that of the sassy gay coroner who said “honey” at the end of every sentence….or the hookers battling with our punkette villain.” Creep Cinema

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” … capturing the nervous energy of New York City after dark, Necropolis is what cinema should be: A steaming wad of diaphanous nectar dripping from the nipples of a soul-sucking witch from the Lower East Side.” House of Self Indulgence 

“Sleazy, kinky R-rated supernatural flick, so nihilistic there’s nary an entertaining moment in its 77 minutes.” John Stanley, Creature Features

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” … no matter how awful the dialogue, direction, acting and production values … I couldn’t tear my eyes away from the screen for fear of missing some big-haired diabolical hoofin’. But it was not to be, and so Necropolis soon proves to be not quite as much fun as you’d hoped it to be…” Empire of the ‘B’s

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Buy Empire of the ‘B’s from Amazon.co.ukAmazon.com

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Choice dialogue:

Eva: ‘This cunt doesn’t turn you on, every time you see another girl you wanna fuck her.”

Billy William: “Ok, so say I buy this theory, where is all this ectostuff goin’?”

Filming locations:

Jersey City, New Jersey, USA

New York City, New York, USA

IMDb


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Iced

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‘Hot blooded couples fall prey to a cold blooded maniac’

Iced is a 1988 American slasher horror film directed by Jeff Kwitney (Beyond the Door III aka Amok Train) from a screenplay by Joseph Alan Johnson (The Slumber Party Massacre; Berserker; The Ghosts of Sodom).

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Cast:

Debra De Liso, Doug Stevenson, Ron Kologie, Elizabeth Gorcey, John C. Cooke, Joseph Alan Johnson, Dan Smith, Michael Picardi, Lisa Loring, Sharon Bingham.

Plot teaser:

Years ago, their close friend was killed when he fell from a cliff while skiing in a drunken rage over  a woman. Now, years later, they have all been invited to Snow Peak, a remote ski resort, by a real estate advert. As they arrive, they begin to suspect something is not right… but by the time they realise, its far too late! Someone is stalking them, seeking revenge for a loss none of them understand…

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Review:

Iced is probably worse than the modernised snowboard film, in nearly every way. You think that the final twenty five minutes will redeem the crap before. No, it doesn’t, because more quick cuts and cheesy dramatics fill the feature even further. This is just a slasher movie that secretly wants to be a Soap Opera, and has an ending that clears nothing up. While I sort of enjoyed it, a recommendation would just be cruel.” Josh G., Oh, the Horror!

 

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Iced is not a very good movie. Technically, it’s a bit of a mess with horrible editing, slow pacing and overtly misguided dialog (with only marginal acting at times), but if you’re a USA Up All Night kind of person (and who isn’t?), then this movie is a must. Plus, there’s plenty of boobs (courtesy of Lisa Loring who played Wednesday in the original Addams Family) and some decent blood to keep the proceedings going. There’s also a surprising amount of male nudity.” Amanda by Night, Retro Slashers

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Iced is a 1988 horror movie about skiing. You’ll see a lot of it. It’s also a movie about ass. You’ll see a lot of that, too. It’s a strange dichotomy that, I think you’ll agree, doesn’t work at all for a horror movie.

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Hell, the title doesn’t even work. “Iced” is more of a title for a movie about ice skating, or ice hockey, or de-icing planes, but not skiing. It doesn’t make any sense. Not making any sense, by the way, is the third of the film’s major themes.” Dr. Boogie, I-mockery.com

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Choice dialogue:

Alex: “Pardon me for saying this but you all look prepared for a funeral… or worse!”

IMDb

 


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Serial Killing Spuds

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Originally posted on Drinkin' & Drive-in:

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Potatohead Jason

How the times haves changed. Just a few decades ago Jason from Friday the 13th (1980) and Freddy from A Nightmare on Elm Street (1984) were graphically hacking up kids with razor sharp machetes and razor-fingered gloves. Now, thank to selective pop culture standards, both Jason and Freddy are soon available a Mr. Potato Head toys. Made for kids.

Poptaters™ has announced that they will be releasing both in October 2015 and are priced at $17.99 each via Entertainment Earth.

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Potatohead Freddy

The reason I say selective is there have been hundreds of slasher after Jason and Freddy, and none are being made into Potato Heads. This is because the Nightmare on Elm Street and Friday the 13th franchises made a LOT of money over the years. Nobody cares about the Driller Killer (1979), who only did about $14 at the box office. Man, that guy was cool – but…

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Flesh for the Beast

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FLESH FOR THE BEAST, Ruby LaRocca, Sergio Jones, Caroline Hoemann, Barbara Joyce, 2003, (c) Media Blasters

Ruby LaRocca, Sergio Jones, Caroline Hoemann, Barbara Joyce

‘Open the Gate. Step In. Lose Your Mind.’

Flesh for the Beast is a 2003 American horror film directed and written by Terry M. West (Witchbabe: The Erotic Witch Project 3; Vampire Queen; Satan’s School for Lust). The film’s score is by Buckethead.

A graphic novel tie-in was released the following year through Media Blasters.

Plot teaser:

A group of parapsychologists are called in to investigate a mansion with a reputation for being haunted, as it was previously a brothel where many men would go missing. One of the investigators, Erin Cooper (Jane Scarlett) finds herself particularly drawn to the place. As the night progresses the group discovers that they are not alone and that three succubi inhabit the house, imprisoned by a warlock’s amulet. The amulet would give its user the ability to control the succubi, giving them extreme amounts of power. The succubi kill the group members one by one as the group tries desperately to discover the amulet’s whereabouts and perform a ritual that would stop the succubi…

Reviews:

Flesh of the Beast gets the look down almost exactly right, with plenty of atmospheric lighting, a wonderfully moody credits sequence, and some flashy, mobile camerawork. The gore flows thick and heavy throughout (though the latex masks aren’t nearly as impressive), and while it’s hard to top an opener that finds one character upchucking into the gory remains of another, the filmmakers certainly do their damnedest. The film doesn’t slouch in the nudity department either, as the demon-vixens remain unclad for entire scenes at a time.” Mondo Digital

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FLESH FOR THE BEAST, Alfred Fischer, Caroline Munro, 2003, (c) Media Blasters

Alfred Fischer, Caroline Munro

“Derivative, indifferently acted, artlessly photographed and awash in nudity and rudimentary gore effects.” Maitland McDonagh, TV Guide

” … this one focuses less on the scares and more on the naked girls and gore. Speaking of which, the gore isn’t too bad. Lots of entrails torn from victims, as usual, and these ladies seem to enjoy the intestines as much as your typical Hollywood zombie would. A couple scenes of pure blood-drenched fun are snuck into the film.” HorrorNews.net

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FLESH FOR THE BEAST, Sergio Jones, Jane Scarlett, 2003, (c) Media Blaster

Sergio Jones, Jane Scarlett

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Jane Scarlett, Barbara Joyce, Ruby LaRocca, Caroline Hoemann, 2003, (c) Media Blasters

Jane Scarlett, Barbara Joyce, Ruby LaRocca, Caroline Hoemann

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Cast:

  • Jane Scarlett as Erin Cooper
  • Sergio Jones as John Stoker
  • Clark Beasley Jr. as Ted Sturgeon
  • Jim Coope as Jack Ketchum (as Jim Coop)
  • David Runco as Joseph Monks (as Victor Flynn)
  • Aaron Clayton as Douglas Clegg
  • Michael Sinterniklaas as Martin Shelly
  • Caroline Hoermann as Pauline
  • Ruby Larocca as Cassandra (as Ruby LaRocca)
  • Barbara Joyce as Irene
  • Kevin G. Shinnick as Jimmy / Zombie
  • Keith Leopard as Zombie #1
  • Kelly Troy Howard as Zombie #2
  • Zoe Moonshine as Zombie #3
  • Michael Roszhart as Zombie #4
  • Caroline Munro as Carla, the Gypsy

Wikipedia | IMDb


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Blood Tide

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Blood Tide is a 1981 British-Greek film directed by Richard Jefferies (Cold Creek Manor; Living Hell aka Organizm) from a screenplay co-written with Nico Mastrorakis (Island of Death; Blind Date; Grandmother’s House). The film is also known as Bloodtide (in the USA) and Demon Island (American TV title) and is in the public domain. Original pre-release titles were The Red Tide and Red Tide.

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Plot teaser:

A couple of newlyweds go to Greek Islands to look for a lost sister. They find her on an island where a monster kills people unless it is given a virgin woman for a sacrifice…

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Reviews:

Although lacking in production values, Blood Tide cannot be faulted for its actors, all of whom do their best with the material they are presented. As noted previously, the concepts sketched throughout the film are fascinating and stimulating to the imagination. Sadly, the execution of the film results in a talky, bland, and tensionless movie, one that few will be able to sit through to the lackluster conclusion.” Octavio Ramos, Albuquerque Examiner

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BLOOD TIDE, Lydia Cornell, Lila Kedrova, Martin Kove, Jose Ferrer, 1982

Lydia Cornell, Lila Kedrova, Martin Kove, Jose Ferrer

“The main focus of a sea monster movie should be the damn sea monster not a shirtless James Earl Jones. Therefore, the sea monster needs to look fucking amazing. Instead, the team behind this one offered up James Earl Jones, shiny bod and all, instead of giving us a great looking sea monster. The monster is the worst looking creature in cinema history and makes the killer elves in Elves look like a fucking masterpiece.” Horror Society

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“A pretty bad, but rather fun, old-fashioned monster movie. The monster itself might be The Return of the Giant Claw, and is, wisely, never seen very clearly (Clearly enough, however, once for camp purposes).” Donald C. Willis, Horror and Science Fiction Films III

“Sundry killings ensue, but little tension or atmosphere is generated. Jones overplays alarmingly, while Ferrer and Kedrova have little to do as furrowed-browed locals, the latter a nun. The monster itself appears only briefly, which is perhaps just as well since it is all too obviously a rubber dummy.” Phil Hardy (editor), The Aurum Film Encyclopedia: Horror

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1982 - Blood Tide (VHS)

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Cast:

  • James Earl Jones as Frye
  • José Ferrer as Nereus
  • Lila Kedrova as Sister Anna
  • Mary Louise Weller as Sherry Grice
  • Martin Kove as Neil Grice
  • Lydia Cornell as Barbara
  • Deborah Shelton as Madeline Grice
  • Sofia Seirli as Sister Elena
  • Despina Tomazani as Lethe’s Mother
  • Rania Photiou as Lethe
  • Spyros Papafrantzis as Dionysis
  • Irini Tripkou as Virgin
  • Annabel Schofield as Vikki

Wikipedia | IMDb


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Krampus

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‘You don’t want to be on his list.’

Krampus is a 2015 American comedy horror film directed by Michael Dougherty (Trick ‘r Treat) from a screenplay co-written with Todd Casey and Zach Shields.

Cast:

David Koechner, Adam Scott, Conchata Ferrell, Stefania Owen, Maverick Flack, Lolo Owens, Queenie Samuel,Emjay Anthony, Allison Tolman,Leith Towers, Krista Stadler.

This Legendary Pictures production is scheduled to be released around the world late November/early December by Universal Pictures. It should not be confused with the 2013 film Krampus: The Christmas Devil.

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Plot teaser:

When his dysfunctional family clashes over the holidays, young Max (Emjay Anthony) is disillusioned and turns his back on Christmas. Little does he know, this lack of festive spirit has unleashed the wrath of Krampus: a demonic force of ancient evil intent on punishing non-believers.

All hell breaks loose as beloved holiday icons take on a monstrous life of their own, laying siege to the fractured family’s home and forcing them to fight for each other if they hope to survive…

Wikipedia | IMDb

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Wendigo aka Frostbiter: Wrath of the Wendigo

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‘Hell has frozen over!!’

Wendigo is a 1988 American comedy horror film written and directed by Tom Chaney (cinematographer on Mosquito and Legion of the Night). It stars Ron Asheton (guitarist with The Stooges, also in The Carrier; Hellmaster and Mosquito), Lori Baker, Devlin Burton, John Bussard, Patrick Butler and Alan Madlane.

 

The film was released on VHS by Troma Entertainment in 1996 with a cover retitle of Frostbiter: Wrath of the Wendigo. Owing a large debt to Sam Raimi’s Evil Dead films with its mix of horror and comedy, the film features a torn Evil Dead II poster in much the same way The Evil Dead features a torn The Hills Have Eyes poster. It features stop-motion effects.

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Plot teaser:

Two friends go hunting on Manitou Island in Northern Michigan. While wandering the woods, they accidentally break a sacred circle, releasing a terrible monster: the Wendigo. The Wendigo goes on a terrible killing spree, leaving a gun-toting hero and his female love-interest to destroy the monster…

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Reviews:

“This movie is insane, and nothing I type here will do that insanity justice. Let’s start with the old man character, who is actually just some guy in an old man mask for no other reason than I guess there were no seniors willing to work in this mess? There’s killer monster puppets birthed from chili who attack while a theme song about chili plays on the soundtrack. A crazy dragon-bat that eats a pilot’s head through a plane window in mid-flight. A topless succubus woman ripped from the pages of a porno magazine who turns into a classic Raimi-style horror hag.” Digital Confederacy

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” … it hardly even shows any technical finesse let alone creative promise. But as said before, such a lack of anything resembling filmic capabilities can result in an entertaining film, something that Frostbiter sometimes even approaches being – had it only not pumped up the fucking volume of its soundtrack. It seriously ruins what might have been a good – or at least decently passable – bad-film experience.” A Wasted LIfe

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Wikipedia | IMDb


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The Diabolical

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The Diabolical is a 2015 American science fiction horror film directed by Alistair Legrand from a screenplay co-written with Luke Harvis. It stars Ali Larter (Final Destination, Resident Evil: Extinction/Afterlife), Patrick Fischler, Arjun Gupta, Merrin Dungey and Joe Egender. The film has been produced by Content Media and Preferred Film & TV.

Following a world premiere on March 16, 2015, at SXSW festival, XLrator Media will distribute the film in the US via it’s Macabre label on October 16, 2015. Meanwhile, a Japanese release is scheduled for August 22, 2015.

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Plot teaser:

Madison and her children live in a quiet suburban home but are awoken nightly by an increasingly strange and intense presence. Madison desperately seeks help from her scientist boyfriend Nikolai, who begins a hunt to destroy the violent spirit that paranormal experts are too frightened to undertake…

Reviews:

“Ultimately, The Diabolical has enough scares to to be worthwhile as a genre flick and enough brains to provide a story worth watching. A few plot gaps and unanswered questions keep it from being a great horror movie, but it’s still a very enjoyable one.” Alexander Lowe, We Got This Covered

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The Diabolical just doesn’t do enough with its entire running time and it serves as an example of how the new model of an old horror trope with a new twist is growing tired as well. Still, there is enough thought-provoking sci-fi horror at the climax to maybe justify a watch if you’re looking to watch every new release that comes out.” Drew Tinnin, Dread Central

“Who the ghostly presences are and why they are dogging this family are cleverly revealed in bite size chunks throughout the film creating oodles of ambiguity which keeps the audience on tenterhooks until the quandary is finally resolved.” Howard Gorman, Scream

Cast:

  • Ali Larter as Madison
  • Arjun Gupta as Nikolai
  • Max Rose as Jacob
  • Chloe Perrin as Haley
  • Kurt Carley as The Prisoner
  • Merrin Dungey as Mrs. Wallace
  • Patrick Fischler as Austin
  • Wilmer Calderon as Miguel
  • Tom Wright as Curtis
  • Laura Margolis as Marcy
  • Joe Egender as Carl

WikipediaIMDb


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Bugged

 

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‘They’re urban, they’re vermin, and they exterminate you!’

Bugged – aka Bugged! – is a 1997 American science fiction comedy horror film co-produced, written and directed by Ronald K. Armstrong.

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The film was released on VHS and DVD by Troma Entertainment and now crops up on Netflix.

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Cast:

Priscilla K. Basque, Ronald K. Armstrong, Jeff Lee, Derek C. Johnson, Billy Graham, David McKay, John Kilgore, Jacqui Everett.

Plot teaser:

Devine Hill, an attractive young poetess (Priscilla K. Basque), calls out Dead and Buried Exterminators to rid her house of insects. Unfortunately, due to a horrible chemical mix-up, the poison spray causes the bugs to grow to enormous sizes, and pretty soon everyone is trapped inside the house and have to find a way to stop the dastardly pests before they start multiplying and take over the world…

Reviews:

Unlike most of the black horror ‘hood sub-genre movies, Ronald K. Armstrong’s bugsploitation pic is more subtle and at least mildly amusing. The insects, which seem to be giant crickets, are memorably weird: they seem to have human characteristics (at one point, a bug turns off a light switch!). Some common male stereotypes are mocked but the lack of budget means that a few muffed lines are left in. For the most part, Bugged is a passable trash film time-waster if you’re in a charitable mood but it’s not worth seeking out and the ending is ineffectual.

Adrian J Smith, Horrorpedia

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Bugged never takes itself seriously. Unlike most Troma products, some of the attempts at humor actually work, such as when the giant bug picks up Dave’s gun and shoots at him, or when the bugs throw a frozen chicken tied to a rope into the house to go “people fishing”. Still, the mere cheapitude of it all — including the bargain-basement acting — weakens the impact of even the best moments.” BlackHorrorMovies.com

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Choice dialogue:

Steve: “If this woman has bugs this big running round this house, I’m gettin’ the fuck outta here.”

IMDb

 


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Evil Bong

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‘Dude, its one scary trip!’

Evil Bong is a 2006 comedy horror film produced and directed by Charles Band (Crash!; Ooga Booga) from a screenplay by Domonic Muir [as August White], based on Band’s own story.

The ending features an extended cameo by Tommy Chong, of Cheech & Chong fame. Bill Moseley of The Devil’s Rejects also make appearances in the film. It has been followed by three sequels, Evil Bong 2: King BongEvil Bong 3D: The Wrath of Bong and Evil Bong 420, plus the crossover franchise film Gingerdead Man vs. Evil Bong.

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Plot teaser:

Nerdy college student Alistair McDowell (David Weidoff) moves in with law school drop-out Larnell (John Patrick Jordan), typical “surfer-stoner” Bachman (Mitch Eakins) and former baseball player Brett (Brian Lloyd). During Alistair’s stay, Larnell sees an ad for a large bong, in which the previous owner claims it was “possessed”.

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Later that night, Bachman wakes up in a strip club where he meets Ooga Booga and Ivan Burroughs. He’s introduced by one of the strippers (Kristen Cladwell) who has skull heads on the cups of her bra.

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When he comes near the bra, the skull heads start biting him in the neck and he bleeds to death. The next morning, the other roommates find Bachman dead on the couch. Alistair tells to them that it’s probably from the weed that came with the bong…

Reviews:

” …if stupid-on-purpose moron comedies like Attack of the Killer Tomatoes or anything starring Pauly Shore trip your humor trigger, Evil Bong should be right up your alley. “Serious” horror-film fans can safely skip this one as the “horror” content is limited to a few gory bits when the boys run afoul of those flesh-eating stripper bras, and in some quick cameos by creatures/characters from other Full Moon features in the “Bong World” sequences.” Fat Freddy’s Cat

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” …the film does have some funny moments, whether it be declarations about the journalistic integrity of High Times magazine or the hateful insults from a wheelchair bound old man directed at his slacker grandson. A lot of the humor has a sitcom feel to it. That could also be because the majority of the film is set in the living room of this one apartment (much like a sitcom)…” John Condit, Dread Central

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“Of course the “special” effects are just the opposite, as practically inanimate puppets and props plague us for 90 minutes with little-to-no movement whatsoever. The entire thing happened inside the movie’s single set and I got real bored of this loser lair real quick. I may hate natural light and there being a world beyond my apartment, but it doesn’t mean I don’t like to be reminded of what it looks like from time-to-time.” The Tomb of Anubis

“Then there’s the bras. What’s scarier (and sexier) than cheap ass latex-looking skulls, sharks, and lips covering the nasty bits on the strippers that live in a club conveniently located right inside of a bong? Nothing, that’s what.” Kimmy Karnage, Horror Homework

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Cast:

  • David Weidoff as Alistair McDowell
  • John Patrick Jordan as Larnell
  • Mitch Eakins as Bachman
  • Brian Lloyd as Brett
  • Robin Sydney as Luann
  • Kristyn Green as Janet
  • Tommy Chong as Jimbo Leary
  • Michelle Mais as Eebee (voice)
  • Jacob Witkin as Cyril Cornwallis
  • Phil Fondacaro as Ivan Burroughs
  • Tim Thomerson as Jack Deth
  • Bill Moseley as Bong World Patron
  • Brandi Cunningham as Carla Brewster
  • Dana Danes as Bong World Dancer
  • Gina-Raye Carter as Bong World Dancer
  • Sonny Carl Davis as Delivery Man
  • Sylvester “Bear” Terkay as Bouncer
  • Dale Dymkoski as Male Dancer
  • Mae LaBorde as Rosemary Cornwallis
  • John Carl Buechler as Gingerdead Man (puppeteer/voice)

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Wikipedia | IMDb


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