Quantcast
Channel:
Viewing all 12742 articles
Browse latest View live

Terror Tales (USA, 2017)

$
0
0

Terror Tales is a 2017 American anthology horror film written, produced and directed by Jimmy Lee Combs (Hans Crippleton: Talk to the Hans). It stars Jennifer Runyon, Ari Lehman and Lynn Lowry.

When Michael wakes up he is horrified to find that he is riding shotgun with a psychopath (Christopher Showerman) who reveals to him that his family is held captive in the attached cargo trailer. The trailer is rigged to release a deadly toxin when triggered by a switch in the car. Thinking of his family’s safety, he cooperates with everything the psychotic driver asks him to do even if it means breaking the law.

During this bizarre ride, the driver subjects Michael to three horrific tales of the macabre including a demon that takes a mother (Lynn Lowry) on a journey of self discovery and reveals to her the horrifying truth behind her son’s suicide.

The next tale takes place in the ’80s where a detective is hot on the trail of a serial killer known as The Sledgehammer (Jonathan Tiersten) who is terrorizing a video store owner and his wife.

In the final tale, an evil deity is using the human body as a host to possess its victims. When the deity destroys one victim it jumps to another causing an epidemic of possessions being reported.

With a burning desire for the truth behind his abduction and the safety of his family, will Michael have the will to survive the madness?

Main cast:

Jennifer Runyon (Bloodsucka Jones vs. The Creeping Death; Silent Night, Bloody Night 2: Revival; Carnosaur), Ari Lehman (The Black Book; Rock Paper Dead; The Barn), Helene Udy (Stirring; Swamp Freak; My Bloody Valentine), Felissa Rose (Swamp Freak; Bethany; Death House), Laurene Landon, Lynn Lowry (Cat People; The Crazies; Shivers), Christopher Showerman, Jonathan Tiersten (Sleepaway Camp), Ashley Park, Leana Lewis, Yan Birch, Kyrannio Margaros, Greg Farinelli, Vivienne Bersin, Mark Canjar.

IMDb



Deadly Dreams (USA, 1988)

$
0
0

‘Some people are haunted by their dreams. Alex is hunted by his.’

Deadly Dreams is a 1988 American horror film directed by Kristine Peterson (Critters 3; first assistant director: A Nightmare on Elm Street 5Nightflyers) from a screenplay by actor Thom Babbes. Mitchell Anderson, Xander Berkeley and Juliette Cummins star.

Christmas Eve: Ten year-old Alex’s parents are shot to death by an intruder who then plays hide and seek with the terrified boy.

Now an adult, every night Alex dreams the same dream: cornered by a man wearing a wolf mask, a knife is brought to his throat, and then he wakes.

Unfortunately, waking moments confirm his worst fears, and soon Alex is trapped in a tangle of suspicions, lies, and fear. Reality fades into terror as he is left alone to fight the relentless force that haunts his deadly dreams…

Buy: Amazon.com

Special features: Brand new HD master | Interview with director Kristine Peterson | Interview with writer Thom Babbes |Trailers

Reviews:

” …Deadly Dreams is half surreal horror film and half twisty psychological thriller, with the twain really only meeting in the second of two grim twist endings. If it weren’t for the occasional helping of bare skin and blood, this could easily fit nicely with the wave of made-for-TV horror and suspense films that have become minor cult sensations in recent years…” Nathaniel Thompson, Mondo Digital

“Things perk up mildly with one scene where Mitchell Anderson finds a slaughtered deer left in his bathtub and his name painted in blood on the wall and everything predictably being gone when he returns with witnesses. On the other hand, when you contrast this with the outré material in Deadly Dreams’ model A Nightmare on Elm Street, there is a thorough tameness to what is on offer here.” Richard Scheib, Moria

“Director Kristine (Critters 3) Peterson does a good job at combining the unintended laughs with some genuinely creepy moments. The flick may be uneven as heck, but because of that, it’s highly unpredictable and the audience is always off balance. She peppers the movie with a lot of the usual dream-within-a-dream jump scares you’d expect from a nightmare-fueled horror movie.” Mitch Lovell, The Video Vacuum

“After several brutal subconscious incidents – the best of which has a fab knife-through-pillows filleting […] Soon after this point, the plot takes a dramatic, fairly unpredictable twist before going hammer and tongs into the woodland finale where Alex learns the painful truth. Impressive as revelation is, it’s nothing compared to the staggering final surprise, one which lifts Deadly Dreams from forgettable video territory to a low-budget gem.” Vegan Vorhees

“More R-rated soap opera than horror, Deadly Dreams is the epitome of filler. Too many flashbacks. Too many dream sequences. Indifferent direction. If it wasn’t for the humorous sexual leanings (Coincidence? Indecision?), there’d be nothing much to do.” Joseph A. Ziemba, Bleeding Skull!

“Without overdoing the gore, Deadly Dreams is still fun, keeping the violence but relying mostly on suspense and thrills. There are many dull moments throughout, but it’s worth it. A throat is slit, and all is revealed to show some plots that make deliciously perfect sense.” Josh G., Oh, the Horror!

“It’s too bad that Deadly Dreams is so GD lethargic, because there’s a decent movie in there somewhere, and when the film’s nasty side shows it’s enjoyable (and I’m not just talking about that spinning bed sex scene) (you guys, there’s a spinning bed sex scene). Unfortunately, it’s buried beneath a big pile of too many dreams and it’s not remotely “horror” enough.Stacie Ponder, Final Girl

Main cast:

Mitchell Anderson (Jaws: The Revenge; TV series: Deadly Nightmares), Xander Berkeley (The Walking Dead; SalemCandyman; The Guardian), Juliette Cummins (Slumber Party Massacre II; Psycho III; Friday the 13th: A New Beginning); Thom Babbes, Gray Ainsworth, Timothy Austin, Brent DeHart, Beach Dickerson, Troy Evans, Geoffrey Forward, Al Guarino, Jaime Kaplan, Michael Leopard, Gyl Roland, Lynn Philip Seibel.

International release titles:

Spain – Delirio criminal
Finland – Deadly Dreams – todellinen painajainen
France – Rêve mortel
Greece (video title) – Kyklos thanatou
Italy – La morte viene in sogno
Mexico – Delirio criminal
Norway – Deadly Dreams – et ekte mareritt
Poland – Sny o smierci
West Germany – Träume des Wahnsinns

Wikipedia | IMDb

Image credits: Mondo Digital


Fang (USA, 2018)

$
0
0

Fang is a 2018 American werewolf horror film written and directed by Adam R. Steigert (A Grim Becoming; Ombis: Alien Invasion; Gore). It stars Melantha Blackthorne, Gregory Blair and Darren Barcomb.

After participating in a robbery turned murder, Chloe (Melodie Roehrig) and Joe (Theo Maefs) decided to hide out at a distant relative’s house only to find themselves stalked and hunted by creatures and forces unknown…

Main cast:

Melantha Blackthorne (Dracula’s War; Krampus: The Devil Returns; Bloody Slumber Party; et al), Gregory Blair (Death House; Garden Party Massacre; Ooga Booga), Darren Barcomb (Crepitus; Krampus: The Devil Returns; Camp Killer) Jason John Beebe, Jennie Russo, Johnny Stevenson, Melodie Roehrig, Michael Zsiros, Patrick Mallette, Scott Emerling, Christopher Burns Jr., Theo Maefs, Norman Queeno, Michael O’Hear, Kristin Spencer.

IMDb | Facebook


My Friend Dahmer (USA, 2017)

$
0
0

My Friend Dahmer is a 2017 American film written and directed by Marc Meyers and based on the graphic novel of the same name by Derf [John Backderf].

Before Jeffrey Dahmer became one of the most notorious serial killers of all time, he was a teenage loner. Conducting grisly experiments in a makeshift backyard lab, Jeff was invisible to most, until his increasingly bizarre behaviour unexpectedly attracted friends…

The film premiered at the Tribeca Film Festival on April 21, 2017.

Reviews:

“By disassociating Dahmer from the crimes he would commit, his character is shaped as a pitiably sad personality instead of a purely vile being. My Friend Dahmer doesn’t dismiss the man he became, nor does it beg for “poor Jeff” sympathy.  Rather, the plea is to consider how he was created through conscious choice as well as troubling circumstances, and how common those conditions could be.” Ian Sedensky, Culture Crypt

“One of my biggest issue with the film is the frequent use of humour. It’s usually a good thing when dark films pepper humour throughout to lighten the mood, but in the case of My Friend Dahmer, it is so uncomfortably frequent to a point that it is seen in bad taste […] a compelling enough story, with a career-defining, award-worthy performance from Ross Lynch making up for a majority of it’s issues.” Daniel Azbel, Get Reel Movies

“There aren’t many movies about real-life serial killers, and there are even less that try to humanize them to the extent that My Friend Dahmer does. Without trying to coddle, without trying to excuse, Meyers’ makes us realize that even a demon like Dahmer was a boy once and wonder if things could have turned out differently for him.” Reggie Peralta, FilmBook

“Avoiding both sympathy, sentimentality, or hype, director Marc Meyers takes on a more ambitious task. Knowing who he grows up to be adds a level of terror that’s often nearly impossible to capture, so Meyers focuses on Dahmer’s psyche over trying to ham up his violent acts. The scares come more from the growing tension of understanding who he is going to become when he graduates as it gets closer to the end…” Ivy Lofberg, Sordid Cinema

Cast and characters:

  • Ross Lynch as Jeffrey Dahmer
  • Alex Wolff as Derf
  • Vincent Kartheiser as Dr. Matthews
  • Anne Heche as Joyce Dahmer
  • Dallas Roberts as Lionel Dahmer
  • Harrison Holzer as Mike
  • Tommy Nelson as Neil
  • Miles Robbins as Figg

Filming locations:

Akron and Cleveland, Ohio, USA

Wikipedia | IMDb | Official site


Krampus 2: The Devil Returns (USA, 2016)

$
0
0

‘Are you still on the naughty list?’

Krampus 2: The Devil Returns – aka Krampus: The Devil Returns – is a 2016 supernatural horror film directed by Jason Hull (Krampus: The Christmas Devil; The Four; Chasing Darkness) from a screenplay co-written with A.J. Leslie. It stars Richard Goteri, R.A. Mihailoff and A.J. Leslie.

Five years after the murder of his wife and disappearance of his daughter, former police officer Jeremy Duffin is brought back to help in the hunt for Krampus, a yuletide monster that punishes children that have been “naughty.”

As the monster becomes more erratic and unpredictable, Jeremy learns the truth about the disappearance of his daughter and the fate that has been bestowed upon him by an unlikely source…

Buy: Amazon.comAmazon.co.uk

Reviews:

“The script, as in most micro-budget horror movies, is a bit muddled and isn’t clarified any by sluggish direction and listless editing. There are a few twists thrown in, one rather surprising and distasteful, and a couple of almost adequate scenes of the police skulking through falling snow in search of their prey; but still, the final completed product is strictly small change and only for the Killer Christmas completist.” Ben Spurling, HorrorNews.net

” …looks like it was shot five minutes after the first film wrapped since there is no discernible improvement in acting, technical quality, or anything at all really. Five different cinematographers end up in the end credits, probably because the production just tapped whoever had enough battery left on his cellphone’s camera to take the baton of D.P. duties.” Ian Sedensky, Culture Crypt

“The production design is inexistent. The editor misuses cross fades and hard cuts. The basic principles of filmmaking are never met. Most scenes are poorly lit and the framing is all wrong. This movie is a succession of “What the hell” moments and has virtually no redeeming qualities.” Steve Hutchison, Tales of Terror

Krampus: The Devil Returns does a lot to try and improve upon the first film. While overall it doesn’t help all that much, it does make this pill easier to swallow. My main issue with the first film is that it didn’t show kids, such as kid Jeremy, actually doing bad things that would warrant Krampus’s wrath. Here we actually see kids mess up and the end results of Krampus giving one of them a serious beatdown.” Valkor, The Other View

Main cast:

R.A. Mihailoff, Melantha Blackthorne, Tiffani Brooke Fest, Michael Mili, Jason Hull, Robbie Barnes, A.J. Leslie, Richard Goteri, Daniel James, Bill Kennedy, Paul Ferm, and Darin Foltz.

IMDb

 


Mon Mon Mon Monsters (Taiwan, 2017)

$
0
0

Mon Mon Mon Monsters  is a 2017 Taiwanese comedy horror film written, co-produced and directed by Giddens Ko (writer of The Tenants Downstairs). It stars Eugenie Liu, Kent Tsai and Yu-Kai Teng. The Mandarin title translates as “Report to the teacher! Strange strange monster”

A group of teenagers capture a man-eating monster…

Monsters paints a disturbing picture of contemporary youth culture while delivering gruesome sights that’ll have horror hounds howling in approval. Though slim in analyzing of what has driven these kids to such extremes, Ko’s vividly decorated and atmospherically filmed exercise in nihilistic horror is a mighty fine ride for those who like this sort of thing.” Richard Kuipers, Variety

 

“Visually and technically, Ko owes a debt to the J-horror wave of the 1990s (Ring in particular), but he’s built a suitably grim palette for Monsters, with Chou Yi-Hsien’s (Love Off the Cuff) claustrophobic images and Pao Cheng-Hsun and Huang Mei-Cing’s splattery special effects serving the story perfectly.” Elizabeth Kerr, The Hollywood Reporter

Mon Mon Mon Monsters is a wacky and frequently entertaining high school horror-comedy that has just the right balance of novel and familiar elements. At the helm, Ko presents himself once more as an ace stylist as he taps a fantastically deep well of imagination. On the other hand, it also displays a disturbing knack for cruelty that won’t sit well with some viewers, who may also find it hard to latch on emotionally due to a lack of sympathetic characters.” Pierce Conran, Screen Anarchy

“The director’s ultimate aim is to represent the evilness of humanity and how ultimately everyone exists in varying shades of grey […] The film is incredibly picturesque, calling back to a lot of J-horror 90s flicks with a dark colour palette and beautiful special effects. Mon Mon Mon Monsters is definitely not one for the faint hearted, but it’s an excellent film all the same.” Andrew Daley, Eastern Kicks

Despite its utterly bleak world view, Mon Mon Mon Monsters offers plenty to delight horror fans, with a dazzling visual style, a number of standout set pieces – including a bloody encounter on a school bus – and compelling performances from a mostly young cast. As a storyteller, however, Ko sells himself short. Emotional pay-offs are missed, supporting characters go underdeveloped…” James Marsh, South China Morning Post

” …the latest from Giddens Ko doesn’t quite take pleasure in its cruelty, but it is unflinching in how it uses school bullying as its backdrop for a supernatural horror story. A lot of viewers might hit the point of enough being enough or outright disbelief even before the dismemberment starts in earnest, although they probably shouldn’t.” Jay Seaver, eFilm Critic

IMDb


House of Dracula (USA, 1945)

$
0
0

House of Dracula is a 1945 American horror film released by Universal Pictures. It is a direct sequel to House of Frankenstein, and continued the theme of combining the studio’s three most popular monsters: Frankenstein’s monster (Glenn Strange), Count Dracula (John Carradine), and the Wolf Man (Lon Chaney Jr.).

The film was directed by Erle C. Kenton from a screenplay by Edward T. Lowe Jr., based on a storyline by Dwight V. Babcock and George Bricker.

Count Dracula (Carradine) greets the castle’s owner, Dr. Franz Edelmann (Onslow Stevens). The Count, who introduces himself as “Baron Latos”, explains that he has come to Visaria to find a cure for his vampirism. Dr. Edelmann agrees to help.

Together with his assistants, Milizia (Martha O’Driscoll) and the hunchbacked Nina (Poni Adams), he has been working on a mysterious plant, the clavaria formosa, whose spores have the ability to reshape bone. Edelmann explains that he thinks vampirism can be cured by a series of blood transfusions. Dracula agrees to this, and Edelmann uses his own blood for the transfusions.

That night, Lawrence Talbot (Chaney Jr.) arrives at the castle. He demands to see Dr. Edelmann about a cure for his lycanthropy. Talbot is asked to wait. Knowing that the moon is rising, Talbot has himself incarcerated by the police. A crowd of curious villagers gathers outside the police station, led by the suspicious Steinmuhl (Skelton Knaggs)…

Reviews:

“The set design is big and luxurious; something we lost for a while, along with some of the ambiance. The lighting is just right. Photography and effects show global improvement, too. The story is silly but the title and promo alone allude to fun times, good energy and genuine acting, writing and directing from horror monuments. We get it all!” Steve Hutchison, Tales of Terror

“It’s so hilariously bad, it’s hard to believe that it’s done so seriously. The scene where Indelman reveals to Nina that Dracula is his new patient is something Mel Brooks didn’t better in Young Frankenstein. A scene where Indelman is battling in his mind between his good self and bad self, whether to revive the Frankenstein monster is so ludicrously over-the-top you’ve just got to cheer it.” MP Bartley, eFilm Critic

“Though borderline absurd, House of Dracula features one unique aspect to distinguish itself from earlier Hollywood renditions of Bram Stoker’s classic  novel; namely, Count Dracula—a personification of the devil himself—is portrayed as an unwilling and therefore sympathetic participant in the crimes committed by an ever-present demon of the mind.” Midnite Reviews

“Unfortunately, as is too often the case with the perpetually rushed screenplays of these films, the latter half of the film fumbles an interesting beginning. Dracula, for no clearly discernible reason, injects Onslow Stevens with his blood and causes him to become a madman. There are some interesting scenes with Onslow Stevens running around the town, casting a giant shadow…” Richard Scheib, Moria

” …patently working with a low budget and failing to find much that was satisfying to do with its cast. Scripted by Edward T. Lowe, as the previous House of Frankenstein had been, it adopted the new outlook of the benefits of science – or their drawbacks – to inform its plotting, looking forward to the science fiction movies that would become hugely popular in the next decade.” Graeme Clark, The Spinning Image

Cast and characters:

  • John Carradine as Count Dracula
  • Onslow Stevens as Dr. Franz Edelmann
  • Lon Chaney Jr. as Lawrence “Larry” Talbot / The Wolf Man
  • Martha O’Driscoll as Milizia Morelle
  • Jane Adams as Nina, the hunchback
  • Lionel Atwill as Police Inspector Holtz
  • Ludwig Stössel as Ziegfried
  • Glenn Strange as Frankenstein’s Monster
  • Skelton Knaggs as Steinmuhl

Trivia:

Although Glenn Strange appears as the Monster in most of the film, footage of Chaney as the Monster from The Ghost of Frankenstein and Boris Karloff from Bride of Frankenstein was recycled; Karloff appears in a dream sequence, while Chaney, as well as his double Eddie Parker, are seen in footage in a fire scene.

Wikipedia | IMDb | American Film Institute


Escaping the Dead (Denmark, 2017)

$
0
0

‘Something is rotten in the state of Denmark’

Escaping the Dead is a 2017 Danish zombie horror film written, produced and directed by Martin Sonntag and Bastian Brinch Pedersen. The latter stars alongside Kim Sønderholm and Rama Øzel.

The film was inspired by a series of articles about the death drug “Krokodil” that was rife during the same period of time that Ronald Poppo had his face eaten by a naked man hooked on bath salts in Miami.

Denmark: David (Bastian Brinch Pedersen) is a small-time marijuana pusher, the kind of dealer that smokes more than he sells. Meanwhile, the country has been hit by a new death drug…

David and his partner in crime, Ahmir, are offered some cheap cocaine they see it as an opportunity to earn big money at a forthcoming big techno concert.

Unfortunately, the cheap cocaine turns out to have a terrible side effect that creates a giant zombie outbreak that spreads across the entire city of Copenhagen. David must fight his way out of the bloody city…

Lone Fleming

Main cast:

Bastian Brinch Pedersen, Troma’s Lloyd Kaufman, Lone Fleming (Vampyres; Wax; Return of the Blind Dead), Kim Sønderholm (Vidar the Vampire; Your Flesh Your Curse; Reyes), Rama Øzel, Heine Sørensen, Sune Rolf Jensen, Sead Sainoski, Dorte Rømer.

Filming locations:

Værløse, Sjælland, Denmark

IMDb



Ghost Wars – TV series (USA, 2017)

$
0
0

Ghost Wars is an 2017 American paranormal horror television series created by Simon Barry for producer Nomadic Pictures (Van Helsing). David Von Ancken directed the pilot episode; other directors include Leslie Hope, Michael Nankin, Mathias Herdndl, Jason Priestley and the aforementioned Simon Barry. It stars Vincent D’Onofrio, Kim Coates and Avan Jogia.

The series will premiere on Syfy in the United States and and elsewhere globally on Netflix in fall 2017. The first season will consist of ten episodes.

A remote Alaskan town has been overrun by bizarre paranormal forces. Local outcast Roman Mercer (Avan Jogia) must overcome the town’s prejudices and his own personal demons if he is to harness his repressed psychic powers and save everyone from the mass haunting that’s threatening to destroy them all…

Main cast:

  • Vincent D’Onofrio (Sinister)
  • Kim Coates (Resident Evil: AfterlifeSilent Hill)
  • Avan Jogia as Roman Mercer
  • Kristin Lehman
  • Meat Loaf (The Rocky Horror Picture Show)

Filming locations:

Vancouver, Canada

Wikipedia | Image credits: Bloody Disgusting


Dementia 13 (USA, 2017)

$
0
0

Dementia 13 is a 2017 American horror film directed by Richard LeMay (The Dark Rite) from a screenplay by producer Dan DeFilippo (Chilling Visions: 5 States of Fear) and Justin Smith (Ominous; The Monkey’s Paw), based on Francis Ford Coppola’s 1963 film of the same name. It stars Julia Campanelli, Channing Pickett and Steve Polites.

A vengeful ghost, a mysterious killer and a family brimming with secrets converge in one night of terror….

Chiller Films is releasing Dementia 13 in theaters on October 6, 2017 and on VOD and Digital HD on October 10, 2017.

Main cast:

Julia Campanelli, Channing Pickett, Steve Polites, Marianne Noscheze (Horror Time), Ben van Berkum, Ana Isabelle, Anthony Salvador Lewis, Donal Brophy, Leif Steinert, Roland Sands, Christian Ryan (Celebrity Ghost Stories), Jay William Thomas, Leila Grace, Pat Malone.

IMDb | Facebook

Source: HorrorMovies.ca


Three Tears on Bloodstained Flesh (USA, 2014)

$
0
0

Three Tears on Bloodstained Flesh is a 2014 American horror film written, produced and directed by Jakob Bilinski (Volumes of Blood). It stars Bill Gobin, Jim Dougherty and Kayla Crance.

A man with a dark past returns to bury his niece Lexie. Dragging his troubled daughter Kendall, he simultaneously reunites with his estranged sister, Stella and reignites a past rivalry with the corrupt town sheriff.

Dominic begins digging around the town, and uncovers the town’s dark secrets, which include a mysterious cult, a supernatural curse, a masked killer, and a very high body count…

Buy DVD: Amazon.com

Unearthed Films is releasing the film on DVD on August 8, 2017, in a 2-disc special edition loaded with special features such as: Behind the Scenes, Deleted/Extended scenes, a Gag Reel, Music Videos, Short Films, and more. Order via Amazon

Main cast:

Bill Gobin, Jim Dougherty, Kayla Crance, Angela Steele, Rosalind Rubin, Grant Niezgodski, Sidney Shripka, Kevin Roach, Alex Hahn, Joe Atkinson, Eric T. Schroeder, Mark Nash, Jim O’Rear, Sonny Burnette, Rusty James, Julie Pyle, and Scott Ganyo.

IMDb | Facebook


The Vault (USA, 2017)

$
0
0

‘No one is safe’

The Vault is a 2017 supernatural horror thriller directed by Dan Bush (The Signal) from a screenplay co-written with Conal Byrne. It stars James Franco, Francesca Eastwood, Scott Haze and Taryn Manning.

In order to save their brother Michael’s life, the Dillon sisters, Leah and Vee have organized a bank robbery, but when the upstairs vault doesn’t have enough money to cover Michael’s debt, on the advice of Assistant Bank Manager Ed Maas, they drill into the downstairs vault.

However, the bank’s basement hides a terrible secret and before long, the Dillons have to choose whether to face the police outside or the terrible supernatural forces in the vault below…

In the US, FilmRise release The Vault on limited VOD on September 1, 2017. A British cinema and digital release is slated for 8 September 2017.

IMDb


The Laplace’s Demon (Italy, 2017)

$
0
0

‘Does free will exist?’

The Laplace’s Demon is a 2017 Italian mystery thriller film directed by Giordano Giulivi from a screenplay co-written with Duccio Giulivi, based on a story by Silvano Bertolin, Ferdinando D’Urbano. It stars the latter three writers.

The Laplace demon is a mathematical theory, which supposes that, if someone knows the precise location and momentum of every atom in the universe, they could predict everything down to the smallest detail.

A team of scientists are invited to a remote island by a mysterious, eccentric man. The team discover a lift that leads up into the foreboding Gothic mansion perched on top of the sheer cliff edges that surround it and soon realise that they are part of a bizarre experiment themselves…

Montreal-based Fantasia Film Festival described the film thus: “The Laplace’s Demon unfolds like an all-time great Twilight Zone episode directed by the three-headed offspring of Guy Maddin, Mario Bava, and Val Lewton.”

Reviews:

” …a film that may struggle with more general audiences, but even if you feel that you know nothing about physics or literature or art, you may well still appreciate its inherent creepiness and its effectiveness as an old fashioned horror thriller. The only thing it really lacks is Vincent Price, but with a host of capable Italian actors who play their parts perfectly to type (the standout being newcomer Carlotta Mazzoncini), it has plenty going its favour.” Jennie Kermode, Eye for Film

” …the art and set design, also overseen by G. Giulvi is absolutely crucial to the film’s success. Most people would agree it is hard to pull off human-sized killer chess pieces, but Giulvi manages to do it. The ultimate implications of Laplace are depressingly scary, but unlike the instantly stale The Circle, the overall film is so smart and inventive, we really don’t mind its philosophical upshot.” Joe Bendel, J.B. Spins

“Evoking a bit of early Mario Bava-style giallo, in combination with noir sharp light and shadow, gives this film an unusual, slow burn flair. The acting style is slightly heightened, a bit of exaggeration in a particular Italian style, making the characters arguably somewhat one-dimensional, but this is not necessarily a detriment. It fits into the balance between philosophical discussion of fate and free will, and running for their lives.” Shelagh Rowan-Legg, Screen Anarchy

“The use of the model and the chess pieces seems like it should be awkward but actually works beautifully — a surprising amount of suspense can be derived from the clockwork performing its steady, impersonal duties. There’s an excellent build of tension as both pawns and characters disappear one by one, and the conversations on the independence of human thought never weigh things down. Under the monster-movie facade, it’s an intelligent film that doesn’t talk down to the audience even as it skilfully plays with the viewers’ minds.” The Movie Critic Next Door

IMDb


Camp Blood 666 (USA, 2016)

$
0
0

‘Beware… the clown strikes again!!!’

Camp Blood 666 is a 2016 American slasher horror film directed by Ted Moehring (Revenge of the Devil BatInvasion of the Reptoids; Bloodbath in the House of Knives) from a screenplay co-written with Monte Hunter (Nazi Dawn; Frankenstein Rising). It stars Tina Krause, George Stover and Quinton J. Alexander.

The shot-on-video Camp Blood series began in 1999 with Brad Sykes’ first entry. A number of sequels have followed.

The Camp Blood Killer Clown returns from Hell to search for fresh victims. Betsy goes looking for her missing brother who joined a satanic clown cult, only to find horrors beyond her imagination. Will she end up on the end of a machete wielded by an insane, creepy clown? Will anyone survive Camp Blood 666?

Buy DVD: Amazon.com

Main cast:

Tina Krause (The Fappening; She Wolf Rising; et al), George Stover (Nightbeast; The Alien Factor; et al), Quinton J. Alexander, Cedric Crouch (Revenge of the Devil BatDaisy Derkins vs. The Bloodthirsty Beast of Barren Pines; Zombie eXs; et al), Anthony Edward Curry, Tom Devitt, Dave Ferrier, Ron Fulmer, Julie Ann Hamolko, Shoshanna Hill, Ian Lillis, Mark Mackner, Adam Maderia, Billy McAfee, Charlotte Moehring, Evie Moehring.

IMDb

 


Ash vs Evil Dead – action figures (Season Two, 2017)

$
0
0

The action figures from the Second Season of TV series Ash vs Evil Dead have been unveiled by NETA and features three characters: Asylum Ash, Adult Demon Spawn and Henrietta. They are 7 inches tall and feature 25-30 points of articulation.

Asylum Ash has two interchangeable head sculpts and shotgun accessory. Adult Demon Spawn has three variants with different heads. Henrietta comes with two interchangeable head sculpts. Available in November.

Source: Broke Horror Fan

 



Effects (USA, 1978)

$
0
0

‘Making movies can be murder’

Effects is a 1978 American horror film written and directed by Dusty Nelson (Necromancer), based on a novel by William H. Mooney. It stars horror FX maestro Tom Savini (From Dusk Till Dawn; Night of the Living Dead [1990]; Dawn of the Dead), Joe Pilato (Day of the Dead), and John Harrison (Tales from the Darkside: The Movie).

A filmmaker (John Harrison) is making low budget horror movie in rural Pennsylvania. During the course of production, the cinematographer (Joseph Pilato) and a female gaffer (Susan Chapek) begin to enter into a romantic relationship. Unbeknownst to them, the film’s director is secretly making a snuff documentary with an unwilling cast and crew…

Effects is released on Blu-ray on August 22, 2017, via American Genre Film Archive (AGFA). It was transferred in 4K from the only 35mm print in existence. Charles Forsman designed the reversible artwork above. Special features:

  • Audio commentary with John Harrison, Dusty Nelson, and Pasquale Buba
  • After Effects making-of documentary with optional commentary track
  • Ubu and Beastie short films
  • Liner notes by Joseph A. Ziemba of AGFA

Reviews:

” …the film plays like a good example of the (then-waning) grindhouse era, mixing violence and sexy bits to hang them up on a rather thin storyline […] And while the film isn’t perfectly structured by any means, it does feature a highly original and rather exciting finale, plus in a macabre way it does anticipate today’s fascination with reality TV.” Mike Haberfelner, Search My Trash

“The multi-layered script must have been good for everyone to jump on-board with good intentions, but what results on-screen is only half-successful. Approaching subject matter like a snuff film, which is surefire exploitation material, writer/director Dusty Nelson seems instead interested in creating a “what is real, what is fantasy?” mindf*ck for the audience.” Casey Scott, DVD Drive-In

” …though the Pittsburgh-based production is of interest, utilizing several George Romero regulars on the technical side […] the film itself lacks any sense of the dramatic.” Phil Hardy (editor), The Aurum Film Encyclopedia: Horror

Production:

Shot in 1978, the film received its world premiere at the King’s Court theater in Pittsburgh on November 9, 1979. The film was signed up by International Harmony and received limited distribution.

Buy DVD: Amazon.com | Amazon.co.uk

In October 2005, it received an official DVD release by Synapse Films.

Trivia:

Also known as The Manipulator.

Wikipedia | IMDb


The Eye Creatures (USA, 1965)

$
0
0

‘World panic as UFOs approach Earth…’

The Eye Creatures is a 1965 American science fiction horror film about an invasion by a flying saucer and its silent, shambling alien occupants.

While the military ineptly attempts to stop the invasion, a group of young people, whose reports to the local police are dismissed as pranks or wild imagination, struggle to defend themselves against the menacing monsters.

The film was produced and directed by Larry Buchanan (Zontar: The Thing from Venus; It’s Alive; The Loch Ness Horror) from a screenplay by Paul W. Fairman, Robert J. Gurney Jr. and Al Martin. It is a colour remake of the 1957 black and white AIP film Invasion of the Saucer Men intended to fill out a package of AIP films released to television. It stars John Ashley, Cynthia Hull and Warren Hammack and was edited by future director S.F. Brownrigg.

Buy with Zontar: The Thing from Venus  – Amazon.co.uk

Reviews:

“The costumes are a remarkably varied bunch. To begin with, only a few of them have the multitudinous eyes that we see on the first alien— not a trivial concern in a movie called The Eye Creatures. But worse still, the majority of the extras portraying the monsters are outfitted only with the headpieces of their costumes! From the shoulders down, they’re just wearing black tights and f*cking tennis shoes!!!!” Scott Ashlin, 1000 Misspent Hours and Counting

“It is worth watching for its thorough shoddiness. Like the supposed night-time setting that flickers back and forward between day and night because someone clearly either couldn’t afford day-for-night processing or simply forgot. There is the dismembered hand, which never extends into the shot beyond the wrist and does the remarkable job of tiptoeing (or tip-fingering) up vertical surfaces on two fingernails.” Richard Scheib, Moria

eye-creatures-1965

” …the footage of the saucer in space – which looks like a hamburger in a McDonalds’s ad – does not in any way resemble the flying saucer we see on the ground (it has even turned green). It is sporadically amusing, with a few okay bits and the same goofy “headlights” ending as the original film. If you don’t expect a lot more, it’s not too bad.” Mark Cole, Rivets on the Poster

“When Buchanan tries to be serious he is hilarious. But when he tries to be funny he is boring. The bumbling soldiers… the cranky old man… the wisecracking teens… nothing works.” David Elroy Goldweber, Claws & Saucers 

claws_and_saucer_thumbnail

Buy: Amazon.co.uk | Amazon.com | Amazon.ca

” …poor attempts at comedy and no innovative Paul Blaisdell monsters to ogle at. The monsters here have white, lumpy heads (much like the Michelin Tire Man in those old TV commercials) with a bunch of little eyes all over, and a large open mouth cavity. Some of the actors playing the aliens didn’t have full body suits, so their black clothes and white sneakers are conspicuously on display in some shots!” George R. Reis, DVD Drive-In

“A big problem is that the entire story takes place at night, and Buchanan uses a thoroughly unconvincing blend of day-for-night, night-for-night, and soundstage photography, with the day-for-night footage looking so especially bad many scattered shots look like mid-day. The performances in The Eye Creatures are mostly terrible, and Buchanan’s sledgehammer approach to comedy is painful.” Stuart Galbraith IV, DVD Talk

” …there’ll be a moment here or there that actually doesn’t seem all that bad, and you start thinking that maybe Buchanan had some talent, but then you’ll see a hopeless muddle of scenes that show either gross incompetence or gross carelessness, and you suspect the good scene was a fluke. The costumes are ugly and incomplete, the sets dull, the day-for-night photography obvious and the acting inconsistent.” Dave Sindelar, Fantastic Movie Musings and Ramblings

” …since this is a remake, it needs to find a way to improve upon the original or offer a fresh take on an established idea and this does no such thing. The acting is terrible, the photography is flat and ugly, the effects suck and the direction is leaden. The only new scenes grafted on (the goofy peeping tom military guys) are horrible. Worst of all, the creatures aren’t even any good.” Justin McKinney, The Bloody Pit of Horror

Main cast and characters:

John Ashley – Stan Kenyon (Beast of Blood; Brides of Blood; Frankenstein’s Daughter; et al)
Cynthia Hull – Susan Rogers
Warren Hammack – Lt. Robertson
Chet Davis – Mike Lawrence
Bill Peck – Carl Fenton
Ethan Allen – General
Charles McLine – Old Man Bailey
Nathan Wyle – Colonel Harrison
Bob Cowan – Corporal Culver
Bill Thurman – Sergeant on Guard (The Evictors; Keep My Grave Open; The Black Cat)
Peter Graves – narrator [voice only] (Killers from Space; Beginning of the End; Scream of the Wolf)

Production:

The movie was shot in 16mm over several weeks in Dallas, on a budget of $40,000. Ashley was imported from Hollywood, but the rest of the cast were locals. Ashley has stated that his salary took up more than half the budget.

Most of the film was shot at the ranch of wealthy businessman Gordon McLendon. Ashley claimed that the film ranks “with some of the worst all-time horror films ever made”, but said it was a professional operation and that Buchanan treated him very well.

The film’s title screen contained a notable error. In keeping with a frequent practice of B-movie re-release retitling, the phrase “Attack of the” was superimposed on top of the original title, which already included “the”, producing the redundant title Attack of the The Eye Creatures.

Further reading:

It Came from Hunger! Tales of a Cinema Schlockmeister by Larry Buchanan, McFarland, 1996

The Films of Larry Buchanan by Rob Craig, McFarland, 2007

Trivia:

One of the creature costumes was recycled in Ghost in the Invisible Bikini (1966)

Image thanks: IMCDb.org

Social media: Tumblr | Facebook | Twitter | Pinterest


Errementari (Spain/France, 2017)

$
0
0

Errementari – aka Errementari: The Blacksmith and the Devil – is a 2017 Spanish/French [Basque] fantasy horror film directed by Paul Urkijo Alijo (shorts: Monsters Do Not Exist; Playing with the Death) from a screenplay co-written with Asier Guerricaechevarría. It was produced by Álex de la Iglesia (The Bar; The Last Circus; Witching & Bitching) and stars Kandido Uranga, Eneko Sagardoy and Uma Bracaglia.

Based on a Basque folk tale, ‘Patxi herrementaria’, collected by priest, archaeologist and anthropologist José Migel de Barandiarán in 1903, the story is set in the Basque region in 1845, in a universe inhabited by mythological diabolic creatures, battling to capture the souls of the unwitting. The title Errementari translates as “Blacksmith”.

The Devil wants a solitary blacksmith’s soul. Meanwhile, the blacksmith wants to escape his prison. A young girl offers a solution, if both the blacksmith and Devil will allow her to help…

“It’s a Gothic horror demonic tale, with adventure and black humour. I intend to plunge the spectator into Basque folk fantastic imagery that I love so much.” Urkijo told Variety.

Filming locations:

El Pobal and Ebide, Bizkaia, Spain
Vitoria-Gasteiz, Álava, País Vasco, Spain

IMDb | Facebook

Image credit: 28 Days Later AnalysisZimea


Hallucinations/Lethal Nightmare (USA, 1986/1991)

$
0
0

Hallucinations is a 1986 Americans hot-on-video horror film written and directed by teenagers Mark Polonia (Sharkenstein; Bigfoot vs Zombies; Queen Crab; et al), John Polonia and Todd Michael Smith (The Writers; Splatter Farm). The brothers reshot it on Super 8mm film in 1991, retitled Lethal Nightmare.

Three brothers, one of whom is mentally retarded, have disturbing and violent hallucinations while their mother is at work…

SRS Cinema is releasing both Hallucinations and Lethal Nightmare on Blu-ray on August 15, 2017 in a limited edition of just 200 copies.

Buy: Amazon.com

” …the sexual animosity, as well as the off-handed psychology, is what makes Hallucinations so impressive. And fascinating to watch. Unlike most Polonia productions, there’s never a dull moment. A gentle eeriness carries us through while we wait for the next gross-out effect. Ambient synths from a Halloween sound effects cassette drone while green light bulbs gradually replace all of the regular light bulbs in the house.” Joseph A Ziemba, Bleeding Skull!

” …the brothers’ avidity and love for the horror genre is ever evident which makes the film competent enough to sit through for it’s hour long runtime. There’s a few amusing gore scenes, (albeit, ones that are cheesy as f*ck!) such as a dude shitting a knife, a guy wrestling with a deranged fetus, and some disembowelment.” Gore Pump’s Horror Dump

“Really, the strength of the film is the Polonia brothers’ ability to do ANYTHING for the sake of cinema. I mean, there’s full-frontal male nudity, crying, gross-out shots that HAD to be uncomfortable to film, and you see pretty much everybody sitting on the toilet at one point or another. Basically, stuff that your average home-movie-maker wouldn’t dream of doing without an actual budget or production company backing.” Obscuro Films

“Various mysterious figures and monsters from horror movies (including Freddy Krueger and Chucky) appear in their visions to torture and kill them (and their cat) in various ways. There is some laughably bad acted drama concerning rivalry between brothers, love for their mom and their cat. The violence is borderline splatter, but too amateurish to make an impact.” The Worldwide Celluloid Massacre

IMDb


The Kindred (USA, 1986)

$
0
0

‘Anthony didn’t ask to be brought into this world…’

The Kindred is a 1986 [released 1987] American horror film directed by Jeffrey Obrow and Stephen Carpenter (The Power; The Dorm That Dripped Blood). Obrow also produced the film and co-wrote it along with Carpenter, Earl Ghaffari and John Penney. It stars David Allen Brooks, Amanda Pays and Rod Steiger.

The Kindred was released on January 9, 1987 and grossed $2.4 million.

A geneticist takes his assistants to his old family home to locate the deadly product of his late mother’s revolutionary research into rapid human evolution – his monstrous tentacled baby brother, before a mad scientist gets to him first…

Reviews:

“Where the film really shines is in the special effects department. Anthony is a combination of octopus, alien and a human being liberally doused with goo. And I mean LIBERALLY, there is so much ooze and goo flung about in this movie that I’m sure it was in short supply for other films that might have needed some at the same time. People are literally swimming in the stuff and it is nasty to look at too.” The Black Saint, HorrorNews.net

“It’s just that the script moves in fits and spurts – when the film opens, it’s intriguing. When that gets stale, the film switches gears and becomes a friends-in-house-with-unseen-terror flick – here it’s basically a monster-slasher. When that becomes a pinch tiresome, it flirts with body-takeover horror – including the film’s highlight when one character acquires a set of gills. And finally, it becomes Anthony’s show, with a huge showdown and critter-filled denouement.” Dan Gorman, Modern Superior

“There is a human to fish transformation scene, rickety floorboards that lead to a subterranean pit of mini monsters, and a rousing climax that leaves Stieger covered in clear gelatinous goo. If you’ve somehow missed this once late night cable regular, do yourself a favor and track it down. The kill ratio may be low but the slime tide is remarkably high.” Kindertrauma

“This movie might have been a small classic of the era along the line of Night of the Creeps or C.H.U.D. or Pumpkinhead if only it had a little more energy and humor, and maybe a dash of gore or sleaze! There are some mutants that The Pawnbroker keeps around, which we see near the beginning of the movie, who add some of these qualities, but then we never see or hear about them again!” Ha ha, It’s Burl!

“An adequate idea for a horror flick, ruined by bad pacing and a woolly plot. Not even mealy-mouthed Amanda Pays sprouting gills and fins can redeem this one.” Time Out (London)

Cast and characters:

  • David Allen Brooks – John Hollins
  • Rod Steiger – Dr. Phillip Lloyd (End of Days; Modern Vampires; Mars Attacks!;  American Gothic; The Amityville Horror; The Illustrated Man)
  • Amanda Pays – Melissa Leftridge (Leviathan)
  • Talia Balsam – Sharon Raymond
  • Kim Hunter – Amanda Hollins
  • Timothy Gibbs – Hart Phillips
  • Peter Frechette – Brad Baxter
  • Julia Montgomery – Cindy Russell
  • Bunky Jones – Nell Valentine [as Bunki Z]
  • Charles Grueber – Harry
  • Bennet Guillory – Dr. Stone
  • Edgar Small – Dr. Larson
  • Jim Boeke – Jackson [as James Boeke]
  • Randy Harrington – Paramedic
  • Benjamin J. Perry – Porsche Driver [as Ben Perry]

Filming locations:

California, USA

Release:

The film received a limited release in New York City on January 9, 1987, however the film had a theatrical release on July 16, 1987, in Australia. Currently, there has been no official DVD or Blu-Ray release.

Wikipedia | IMDb

 


Viewing all 12742 articles
Browse latest View live