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The Witch

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‘Evil takes many forms’

The Witch -stylized as The VVitch – is a 2015 American-Canadian horror film written and directed by Robert Eggers, who also helmed 2008 Poe-based short The Tell-Tale Heart and is now slated to direct the upcoming Nosferatu remake.

The film premiered at the Sundance Festival in January 2015, where Eggars took the prize for Best Director. It is scheduled to be released on February 26, 2016, by A24 Films.

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Cast:

Anya Taylor Joy, Ralph Ineson, Kate Dickie (Prometheus), Harvey Scrimshaw, Lucas Dawson, Ellie Grainger and Julian Richings (Cube).

Plot:

1630, New England: A farmer is cast out of his colonial plantation and is forced to move his family to a remote plot of land on the edge of an ominous forest that is rumoured to be controlled by witches. Almost immediately, strange and unsettling things begin to happen – the animals turn violent, the crops fail, and one of the children disappears, only to return seemingly possessed by an evil spirit.

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As suspicion and paranoia mount, everyone begins to point the finger at teenage daughter Thomasin. They accuse her of witchcraft, which she adamantly denies. However, as circumstances become more and more treacherous, each family member’s faith, loyalty, and love will be tested in shocking and unforgettable ways…

Reviews:

“A fiercely committed ensemble and an exquisite sense of historical detail conspire to cast a highly atmospheric spell in The Witch, a strikingly achieved tale of a mid-17th-century New England family’s steady descent into religious hysteria and madness.” Justin Chang, Variety

“Eggers’s film is altogether stranger and more challenging to conventional genre tastes. Set among a family of Puritan exiles in the wilderness of unmolested New England as strange and ominous forces beset them, The Witch often looks more like historical realism than horror.” Jack Cole, Slant

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The Witch is expertly directed with a hysterical score, beautiful production design and wicked performances from its central cast. Truly spine-chilling when at its most ambiguous, it only stumbles slightly in its final scene.” Peter Turner, Starburst

” … a knockout in terms of visual flair and dread-filled potency. Kate Dickie is flat-out superb as a mother on the edge, Ralph Ineson conveys the confused emotions of a stern but vulnerable patriarch who tries to do right by his family, and the aforementioned Taylor-Joy turns in a pitch perfect and dedicated performance.” Katherine McLaughlin, The List

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The Witch is bargain basement Terence Malick crossed with a Roman Polanski wannabe and dollops of half-baked Bergman, but worse yet, is not unlike lower-drawer M. Night Shyamalan. That, my friends, is truly chilling.” Greg Klymkiw, Electric Sheep

“Anyone who spoils the ending deserves anguish in eternal fire, but I will say The Witch is one of those very satisfying films whose conclusion somehow manages to be surprising but feel altogether perfect. This movie may be too slow and verbose to be the next breakout horror hit, but its focus on themes over plot is what elevates it to something near greatness.” Jordan Hoffman, The Guardian

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Cast and characters:

Trailer:

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