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The Devil’s Wedding Night

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Devil’s Wedding Night, The (Il Plenilunio delle vergini _ Full Moon of the Virgins) (1973, Italy) - 01

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‘Satan is coming!’

The Devil’s Wedding Night is a 1973 Italian horror film originally known as Il Plenilunio delle Vergini (“Full Moon of the Virgins”). It was directed by Luigi Batzella (Nude for Satan; The Beast in Heat) and stars Rosalba Neri and Mark Damon.

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In the USA, The Devil’s Wedding Night was released by Dimension Pictures (Kingdom of the Spiders; Werewolf WomanNight Creature) with a typically lurid advertising campaign. After a number of pan-and-scan VHS releases, the film was finally released widescreen on DVD by Shout Factory in September 2006 with optional comments by Elvira although the print used has obvious wear.

Plot teaser:

The 1800s: scholarly Karl Schiller believes he’s found the ring of the Nibelungen, which holds great power. It’s at Castle Dracula. His twin, Franz, a gambler, asks if vampires frighten Karl; Karl shows him an Egyptian amulet, which may protect him. Franz takes the amulet and sets out ahead of his brother, arriving at the castle first. There he finds a countess who invites him to dine.

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Later that night, Karl arrives. Coincidently, it’s the Night of the Virgin Moon, a night that falls every fifty years and draws five virgins from the surrounding village to the castle not be heard from again. Can Karl protect his brother, find the ring, and rescue the virgins?

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Reviews:

” … a by the numbers vampire film with some serious T&A tossed into things to spice it up a bit. It’s formulaic, to be sure, but that doesn’t make it any less enjoyable particularly when it’s shot as well as it is here thanks to some slick cinematography from the late, great Joe D’Amato. The castle makes for a great and macabre set, the women are all lit quite seductively and while there isn’t as much atmosphere as, say, Castle of Blood or Black Sunday there are still some very memorable visuals and sets.” Ian Jane, DVD Talk

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“Stealing the show as usual is the supremely sexy Rosalba Neri of Amuck! and Lady Frankenstein. Her over-the-top performance combined with her propensity for nude scenes make Neri’s presence a boon for this flick. There’s also Lara, the Contessa’s servant (and lesbian lover), who is played to perfection with a dichotomously somnambulistic and bug-eyed craziness by Brazilian actress Esmeralda Barros. The most pitiful roles are given to Xiro Papas (Frankenstein’s Castle of Freaks) as the monstrous vampire thug and Gengher Gatti (Let Sleeping Corpses Lie) as the mysterious butler/coach driver.” Doomed Moviethon

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“It’s no overlooked masterpiece of gothic horror; with its fits of pure silliness, but Damon doesn’t look down at the material, Neri is gorgeous (especially nude), and Joe D’Amato’s atmospheric cinematography is often stunning.” Basement of Ghoulish Decadence

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“Rosalba Neri doesn’t get to have as much fun as she does in Lady Frankenstein but she still turns in a watchable performance. Mark Damon, who plays twins Karl and Franz, does so with equal commitment on both sides and in doing so pays tribute to Barbara Steele who played duo roles in Black Sunday, in which he also stars. They really do seem like two different people even though still playing with the good twin / bad twin cliché.” Sinful Celluloid

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“It’s well-staged, beautifully shot and loaded with naked, lesbian vampires and curvy villager babes. Unlike films of this type made for today’s video market, it also takes its horror elements rather seriously and manages to have some fun along the way. It’s hard to dislike any movie in which one of the male leads seduces a peasant girl out of her knickers by slyly reminding her that Count Dracula is only interested in the blood of virgins. Though hardly a classic, it’s not bad, and it certainly delivers on the promises of its lurid U.S. ad campaign.” Bloody Disgusting

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“… Batzella’s occasionally arresting imagery, as well as Neri’s sexy but commanding premise, make the film worth a look. While he’s certainly not cut from the same cloth as Mario Bava, Batzella manages to create an eerily erotic gothic atmosphere, highlighted by a fog-bound scene of undead women gathering for a blood orgy, and — especially — scenes of Rosalba Neri bathed in blood and rising naked from her crypt.” Tomb of the Headless Werewolf

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Italian trailer:

Wikipedia | IMDb



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